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Questioning Cure: Disability, Identity, and Healing
May 11, 2021 @ 3:00 pm - 4:00 pm EDT
Should cure be the ultimate aim of health care? Sometimes aiming at cure entails trying to fix disability rather than enabling disabled people to flourish. Sometimes it obscures the goal of healing. And sometimes aiming at cure entails failing to distinguish between disease and difference. In this webinar, disabled writers and educators Anand Prahlad, Ann Millett-Gallant, and Karen Nakamura will discuss how the idea of cure has shaped their own lives and how we can think beyond cure.
Erik Parens is director of The Hastings Center’s Initiative in Bioethics and the Humanities, co-editor with Adrienne Asch of Prenatal Testing and Disability Rights, and author of Shaping Our Selves: Technology, Flourishing, and a Habit of Thinking.
Joel Michael Reynolds is assistant professor of philosophy and disability studies at Georgetown University, a senior research scholar in the Kennedy Institute of Ethics, and core faculty in Georgetown’s Disability Studies Program. He is also the founder of The Journal of Philosophy of Disability, which he edits with Teresa Blankmeyer Burke.
Liz Bowen is the 2020-2022 Rice Family Postdoctoral Fellow in Bioethics and the Humanities at The Hastings Center. Her scholarly work explores the intersections of disability studies, the environmental humanities, bioethics, and American literature. She is also the author of two poetry collections dealing with disability and chronic illness: Sugarblood (2017) and Compassion Fountain (2021).
Rosemarie Garland-Thomson is a professor emerita of English and bioethics at Emory University and a senior advisor and fellow at The Hastings Center. She is co-editor of About Us: Essays from the Disabilities Series of the New York Times (2019), a book based on The New York Times’s pioneering series.
Learn more about this public event series, “The Art of Flourishing: Conversations on Disability,” produced by The Hastings Center and supported by the National Endowment for the Humanities.
Painting by Ann Millett-Gallant
18×24 in., acrylic on canvas